peter "pdx" drescher	audio engineer, sound designer, composer, programmer.
- audio content	interactive music and sound effects for games and mobile devices.
- implementation	Wwise/Unreal, FMOD/Unity, Beatnik, et al.
- code	C++, C#, ObjC, Java, for Windows, Xbox/PS5, iOS/Android, Linux, et al.
- UX	design and produce sonified interfaces for hardware and software products.
- branding	start up sounds, and other audio for marketing.
- VO	record and edit voice actors for games and broadcast.
- author	published articles on audio technology.
- piano player	toured with The Pickle Family Circus and Joe Louis Walker throughout the United States and Europe.

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"Twittering Machine" by Paul Klee (1922)

This painting (@ NY MoMA) depicts a strange contraption consisting of bird-creatures attached to a wavy-wire attached to a crank. You turn the crank, and the birds make noise ... a prophetic vision of an audio-producing computer.

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Twittering Machine logo, design by John Weir

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pdx rune The "pdx" moniker started out as my Space Invaders high score initials ("gamer tag"), meaning "peter drescher, his mark". Later, computer systems I worked on in the 80's required three-letter logon IDs, so "pdx" seemed the logical identifier. Later, while in the circus, I designed the "pdx" rune, using straight lines only (as if carved in stone, like Viking, or Tolkien elvish, letters), and used it to stamp my musical equipment and personal property. I continue to use the moniker as my online identifier, and email signature. On 8/2/06, to mark the occasion of my 50th birthday, I tattooed the symbol to my left shoulder.

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